J0M6 34, Music Business: Tour Management (SCQF level 7) 7
Higher National Unit Support Notes (cont)
Unit title: Music Business: Tour Management (SCQF level 7)
Guidance on approaches to delivery of this unit
Tutors should provide the learner with a broad knowledge of the roles and duties of a tour
manager. It is recommended that learners should be encouraged to attend and participate in
live music events where possible. If the Music Business: Live Music Industry (SCQF level 7)
unit is also being delivered it would be advised to deliver Music Business: Tour Management
(SCQF level 7) after learners have begun or completed the Music Business: Live Music
Industry (SCQF level 7) unit.
Outcome 1
The processes behind organising and managing a tour should be explained and case studies
used where appropriate. Learners should understand how accommodation, travel, fees,
performance royalties (PRS and contemporary platforms like Kobalt) crew changes, per diem
and equipment hire can affect tour budgets and how they must be taken into consideration
when creating an itinerary.
There should also be emphasis on the legal/contractual responsibilities that are necessary
for a tour such as venue booking contracts, agency contracts and contracts between band
members and tour manager. Administration of registering live performances for rights holders
should be covered.
Learners should know who the key stakeholders are on a tour; artists, crew, promoters,
venue, booking agents and managers should be considered. It is essential for the learner to
understand communication between stakeholders is and how the tour manager should
endeavour to facilitate communication between them.
Suitable tasks could be looking at sources for legal information and contracts, exploring case
studies of actual touring arrangements, guest speakers involved in tour management or
musicians that tour regularly, group exercises to explore skills and qualities.
Outcome 2
This outcome should encourage learners to consider the financial implications of a tour and
to comprehend how important it is to create an itinerary that plans all aspects including
contingency procedures effectively. Learners will be required to use spreadsheet, word
processing and contact database applications to record and present financial data and a tour
itinerary.
Existing tour itineraries could be used as case studies and as teaching materials. It would be
expected that there will be some tutorial sessions in using the necessary software required
as part of delivery. Research could be conducted into organisations that book
accommodation for musicians and use of map resources to plan routes.