a. MUTH 240: Jazz Theory and Aural Training (3 units)
b. MUCA 220, 221: Jazz Improvisation I, II (6 units)
c. MUCA 230: Small Group Jazz Composition and Arranging (3 units)
d. MUCA 330: Large Ensemble Jazz Composition and Arranging (3 units)
e. MUCA 530: Advance Jazz Writing Skills (3 units)
f. MUIN 329: Jazz Studies - one term of applied individual study in jazz piano (3 units)
g. MUCO 455: Jazz History (6 units)
h. MUEP 305: Jazz Pedagogy (1 unit)
i. MUEP 120: Basic Audio Recording (1 unit)
3. Piano majors must complete either MURP 451 and 452: Literature of the Piano I and II or MUEP 301 and
302: Piano Pedagogy I and II
4. Ensemble: completion of the requirement must include:
a. 5 terms of MUEN 248: Jazz Small Group Studies after admission to the jazz emphasis (5 units)
b. 6 terms of MUEN 295: Jazz Ensemble or MUEN 293: Jazz Band, after admission to the jazz emphasis
(6 units)
c. Additional ensembles, specific to primary instrument, as follows:
Winds/Percussion: 6 terms wind ensemble/symphonic band; 3 terms chamber music
Strings: 9 terms symphony orchestra (3 terms required participation after admission to the emphasis
in jazz studies); 3 terms chamber music
Piano: 3 terms symphony orchestra, wind ensemble, symphonic band, concert choir, women’s choir,
or chorale; 3 terms supervised accompanying
Guitar: 3 terms symphony orchestra, wind ensemble, symphonic band, concert choir, women’s choir,
chorale, or chamber music
5. Required projects:
a. DownBeat Magazine Student Music Awards Application: By December 31 of the senior year, all
candidates are required to submit an application and compact-disc recording (a minimum of 10 minutes
or 3 selections) for the Jazz Soloist category in the annual DownBeat Magazine Student Music Awards.
Repertoire will be chosen by the coordinator of jazz performance practice in consultation with the applied
jazz studio teacher.
b. Assembly of self-promotional CD and/or web site: Over the course of the candidate’s two years in the
jazz emphasis, a media project documenting the student’s jazz performances, compositions,
arrangements, and teaching/pedagogical demonstrations must be assembled. Candidates may choose
to create an audio CD, audio/visual DVD, or personal web site containing a minimum of 30 minutes of
recorded work by the candidate. The selected project(s) must be presented to the jazz and
improvisational music faculty before the conclusion of the final term of study.
c. Jazz Small Group Coaching: All candidates will direct or co-direct a jazz small group for a minimum of
one term after admission to the emphasis in jazz studies (one 60-minute rehearsal per week). Each
candidate must submit (in writing to the jazz faculty) a repertoire list and rehearsal plan for the term by
the end of the third week. Each candidate must arrange for one group rehearsal observation by a jazz
faculty member before the mid-term reading period.
d. Jazz Big Band Conducting: All candidates will conduct designated rehearsals and sectionals of Jazz
Band or Jazz Workshop after admission to the emphasis in jazz studies.
e. Jazz “Tune of the Week” Tutoring: All admitted jazz emphasis candidates will serve as co-tutors for jazz
“Tune of the Week” study/rehearsal sessions once each term. Tutors will organize and lead a single
session (2–3 hours in duration, time and date TBA) at the end of each term for freshmen and
sophomores contemplating admission to the jazz emphasis. Each session will serve as an “organized